In our previous post, we brought you the first
part of the article on the Ancient Rishis of India. This month, we bring
you a list of some more ancient, powerful and influential sages of this
great country.
Kanva
Maharishi Kanva was an ancient Rishi of the Treta Yuga, to whom some hymns
of the Rig Veda are ascribed. One of the Angirasas, he was also referred
to as a son of Ghora. He is sometimes considered to be one of the
Saptarishis (seven most powerful sages).
Kanva features prominently in Kalidasa's work, Abhijnanashakuntalam. He is
the head of the ashrama (hermitage), which is the setting of the play's
first few acts. He is also the protagonist, Shakuntala's, foster father.
At the very beginning of the play, he is absent, as he is in penance,
trying to please the Gods on Shakuntala's behalf. When he returns, he is
delighted to know that King Dushyanta proposed to Shakuntala and so, sends
her to his palace, accompanied by ascetics and seers.
Plot of the Play
The main female lead of Abhijnanashakuntalam,
Shakuntala,
is the daughter of Sage Vishwamitra and the apsara Menaka. Abandoned at
birth by her parents, she is raised in the secluded hermitage of Sage
Kanva and grows up to be a fine maiden.
Once, Kanva and the other elders in the ashrama left for a pilgrimage,
leaving her alone there. At that time, King Dushyanta, the ruler of
Hastinapura at the time, came hunting into the forest. While pursuing
game, he chanced to come upon the hermitage. Captivated by Shakuntala's
beauty, he courted her in royal style and married her secretly. He then
had to return to his kingdom. But before leaving, he gave her his royal
ring as a token of his love.
Shakuntala
and Sage Kanva
Print on Cloth
After his departure, Shakuntala was daydreaming about him and missed to
notice Rishi Durvasa having arrived there. Angry, the latter cursed her
that her lover would forget all about her existence. When she repented and
apologized for her folly, he relented and told her that her lover would
remember her when she showed him the signet ring he gave her.
By that time, Shakuntala realized that she was pregnant. She decided to go
see Dushyanta and reunite with him. Unfortunately, as she crossed a river,
the signet ring slipped off her finger. When she arrived at the palace,
Dushyanta refused to recognize her and said that he had never ever met
her. He had lost his memory of her, due to Durvasa's curse. A crestfallen
Shakuntala then returned to the hermitage, where she gave birth to her
son,
Bharata.
Later, the ring was discovered by a fisherman inside the belly of a fish.
He took it to Dushyanta, who immediately remembered all about Shakuntala
and the times he spent with her. He went to the ashrama, told her all
about what had transpired and brought her back to the palace along with
their son.
Bharata went on to become a powerful Emperor and the ancestor of the
Pandavas and the Kauravas in the great epic,
Mahabharata.
It is after him that India was named Bharat or "Bharatavarsha", the "Land
of Bharata".
Other References
- Kanva Maharishi was the first grammarian of the Telugu language
- Kanva or Karnesh is also the name of a Vedic Shakha of the Shukla
Yajur Veda
- Kanva or Karnesh is the name of several princes and founders of
dynasties, as also of several authors
- The Kanvas are descendants of King Vasudeva Kanva of the 1st century
BCE
- A class of spirit, against whom some hymns of the Atharva Veda are
used as a charm, are called Kanvas
- Some families with the surname Kanva or Karnesh, living in the
Pahasour village in Haryana, claim to be descendants of the Maharishi.
Apart from Pahasour, there are Kanva families living in Bhadani
village as well.
Maharishi Kanva Ashrama
Considering that Kanva was a part of Kalidasa's play, the question comes
to mind whether he was a real person or just a mythological figure. While
this matter is debatable, there is a beautiful Maharishi Kanva Ashrama,
situated on the banks of River Malini in Uttarakhand.
Though one can find several other Kanva ashramas in India, this is
believed to be the original place, where the ashrama was once established.
The birthplace of Emperor Bharata, it is also said to be the locale where
Chandrakiran Maharaj, a sage of the twentieth century, made his own base.
Another Maharishi Kanva Ashrama is situated on the banks of River Girna,
outside village Kanalda, a little away from Jalgaon City in Maharashtra.
Some versions of the legend narrate that it was here that Kanva had set up
his ashrama and also the place where he found the abandoned baby
Shakuntala.
Here, one can find some ancient unexplored caves. There's especially one
cave, which is believed to have no end and is currently closed to the
public by the Government.
Kapila
Kapila is the name given to different individuals in ancient and medieval
texts, of which the best known is the founder of the Samkhya School of
Hindu philosophy. Rishi Kapila of Samkhya fame is a Vedic sage, believed
to have lived in the 6th or 7th century BCE. He is accredited as the
author of the Samkhya-sutra, in which aphoristic sutras bring forth the
dualistic philosophy of the school of thought. Kapila also influenced
Buddhism in a big way.
Interestingly, several historical figureheads in
Hinduism
and Jainism, as well as mythical figures, pilgrimage sites and even an
ancient breed of cows have been given the name Kapila. The most famous
reference is to the great Rishi, with his student Asuri. These two
personalities are considered to be the first masters of the Samkhya
school.
Beyond the Samkhya theories, Kapila also features in many dialogues of
Hindu texts, explaining various other theories such as Ahimsa
(non-violence) in the Mahabharata.
Iconography
The Agamas depict Rishi Kapila with a beard, seated in the padmasana pose,
with closed eyes. He has a jata-mandala around the head, showing high
shoulders, indicating his extreme control over breath. He is shown draped
in deer skin, wearing yagnopavita, with a kamandalu kept near him. He has
one hand placed in front of crossed legs and his feet are marked with
lines resembling the outline of a lotus.
The Vaikhanasasagama depicts Kapila in a different way. It places the
Rishi as an avaranadevata and allocates the south-east corner of the first
avarana to him. His image is kept facing the east and he is shown having
eight arms, of which four on the right are in abhaya mudra. The other
three carry the Chakra, Khadga and Hala. The remaining left hand rests on
the hip in the katyavarlambita pose.
In Vedic Texts
- The Rig Veda describes Kapila as dasanam ekam kapilam. The
Sata-jpitaka Series on the Shakhas of the Yajurveda make mention of a
Kapila Shakha, situated in the Aryavarta. This implies that a
Yajurveda school was named after a Kapila. The term "Kapileya", which
means a "clan of Kapila", features in the Aitareya Brahmana. However,
it does not talk about the original Kapila.
- In the Bhagavata Purana, Kapila relates to his
mother the philosophy of yoga and theistic dualism. His Samkhyasutra
is also described though Krishna to Uddhava in Book 11 of the
Bhagavata Purana, in the passage which is better known as the Uddhava
Gita.
- The parisista of the Atharva Veda too makes mention of Kapila, Asuri
and Panchasikha, in connection with a ritual for whom tarpana is to be
offered.
In the Puranas
Rishi Kapila receives prominent mention in several Puranas as well. The
following are some of the most important instances:
Kapila as the Sleeping Vishnu
In the Brahma Purana, when the evil King Vena abandoned the Vedas and
declared that he was the only creator of dharma. He had crossed all the
limits of dharma and was eventually destroyed and killed. Then, Kapila
advised sages to churn Vena's thigh, from which came out Nishadas. From
his right hand emerged Prithu, who made the earth a productive place, all
over again. Kapila and the sages then went to Kapilasangama, a holy place
where several rivers met.
The Purana also describes Kapila in the context of Sagara's 60,000 sons,
who were looking for their Ashwamedha horse. They happened to disturb
Vishnu, who was
sleeping in the form of Kapila. He woke up and looked at them. The
brilliance in his eyes burnt all but four of Sagara's sons to ashes. These
four then carried forth the Sagara lineage.
As Vishnu's Reincarnation
The
Narada
Purana talks about two Kapilas; one being the incarnation of Brahma and
the other, an incarnation of Vishnu. The Bhagavata, Brahmanda, Vishnu,
Padma and Skanda Puranas; as also the Valmiki Ramayana; describe Rishi
Kapila as an incarnation of Vishnu. According to the Padma and Skanda
Puranas, he is Lord Vishnu himself, who descended on earth to disseminate
true knowledge. The Bhagavata Purana refers to him as Vedagarbha Vishni.
The name Kapila features as one of the Sahasranamas of Vishnu. In his
commentary on the Samkhyasutra, Vijnanabhikshu describes Kapila as Vishnu.
As the Son of Kardama
Book 3 of the Bhagavata Purana says that Kapila was the son of Kardama
Prajapati and his wife Devahuti. Kardama was born from Chaya, the very
reflection of Brahma. Brahma asked Kardama to procreate and so, the latter
went to the banks of River Saraswati and practised penance to appease
Vishnu. Vishnu appeared before him and told him that the son of Brahma
would arrive there with his wife Shatarupa, in search of a groom for their
daughter Devahuti. Vishnu asked Kardama to marry Devahuti and promised him
that He Himself would be born as their son.
Besides Kapila, Kardama had nine daughters with Devahuti, namely, Kala,
Anasuya, Shraddha, Havirbhu, Geeta, Kriya, Khyati, Arundhati and Shanti.
They were married to Marichi, Atri, Angirasa, Pulatsya, Pulaha, Kritu,
Vasishtha and Atharvana respectively.
As Son of Kashyapa
The Matsya Purana says that Kapila was the son of Kashyapa, from his wife
Danu. He was one among their 100 sons.
As Son of Bharadwaja
The Brahma Purana and Harivamsa say that he was the son of Vitatha or
Bharadwaja. However, there are no other sources that support this legend.
In the Dharmasutras and Other Scriptures
As Son of Prahlada
In the Baudhayana Dharmasutra, the Asura Kapila was the son of Prahlada.
He was the one who went on to set up rules for ascetic life and also
created the four Ashrama orders of Brahmacharya, Grihasta, Vanaprastha and
Sanyaasa. He further made rules for renouncement of the sacrifices and
rituals in the Vedas.
The Mahabharata describes him as the sage who argued against sacrifices
and was all for non-violence and stopping cruelty against animals. He
firmly propagated the idea that those who sacrificed innocent animals for
their benefit would finally experience a similar death.
Other References
- Pradyumna assumed the form of Kapila when he broke free from worldly
desires
- Kapila is one of the seven Dikpalas
- The Jayakhya Samhita refers to Vishnu and Kapila, taking the forms
of Narasimha and Varaha, in order to vanquish several demons appearing
before them.
- In the Vamana Purana, the Yakshas were fathered by Kapila, with his
consort Kesini, who came from the Khasa clan.
- Some Puranas even mention Kapila as a female, a daughter of Khasa
and a Rakshasi, after whom came the name Kapileya gana. According to
the Mahabharata, Kapila was also a daughter of Dakhsa who married
Kashyapa and gave birth to the Brahmanas, Kinnaras, Gandharvas and
Apsaras.
- Chapter VIII of the Jain Uttaradhyana-sutra mentions Kapila in
verses titled Kaviliyam or "Kapila's verses". The Rishi is mentioned
in several other Jain texts and scriptures as well, including
Jnatadharmakatha, where Kapila was a contemporary of Krishna and
Vasudeva of Dhatakikhanda.
- According to Buddhist literature, including works such as the Jataka
Tales, the Buddha
was Kapila in one of his previous lives. Buddhist art commonly depicts
both Narayana and Kapila as kings within a Buddhist temple, along with
other figures such as Amitabha, Maitreya and Vairocana. According to
Chinese Buddhism, the Yaksha Kapila and fifteen daughters of Devas
became patrons of China.
Kapila's Works
The following are works authored by Rishi Kapila. Many of which are lost
now and some are available as unpublished manuscripts in libraries.
- Manvadi Shraddha
- Drishtantara Yoga, also named Siddhantasara
- Kapilanyayabhasha
- Kapila Purana
- Kapila Samhita
- Kapilasutra
- Kapila-Stotra
- Kapila Smriti
- Kapilopanishad
- Kapila Gita, also called Drishtantasara or Siddhantasara
- Kapila Pancharatra, also known as Maha Kapila Pancharatra
Kashyapa
Kashyapa is considered to be one of the Saptarishis in the Rig Veda,
several scriptures and legends. In the colophon verse in the
Brihadaranyaka Upanishad, he is listed as the most ancient Rishi. Kashyapa
is a popular name, which refers to several different personalities in
ancient Hindu and Buddhist texts and legends.
History
Kashyapa is also known as Kasyapa or Kacchapa, which means "turtle" in
Sanskrit. This sage is accredited as the author of several hymns and
verses in the Rig Veda. His family of students are also believed to be the
authors of the second verse and several other hymns of the eighth and
ninth mandala of the Rig Veda.
The Brihadaranyaka Upanishad mentions Rishi Kashyapa along with other
ancient and powerful sages such as Atri, Vasishtha, Vishwamitra,
Jamadagni, Bharadwaja and Gautama. He features in Patanjali's ancient
Bhashya on the verses of Panini, in the
Ramayana
and Mahabharata and also in Puranic literature.
Family
Though Kashyapa features prominently in several Hindu scriptures, texts
and legends, there is no one consistent tale about his birth and early
life. Some legends exalt him as the father of all Gods, men and demons and
some even say that he is the Kurma avatara of Lord Sri Maha Vishnu.
According to the Vishnu Purana, Kashyapa married the thirteen daughters of
King Daksha, namely, Aditi, Diti, Kadru, Danu, Arishta, Surasa, Surabhi,
Vinata, Tamra, Krodhavasha, Ira, Vishwa and Muni. The Vishnu Purana and
the Vayu Purana give him the status of the father of the Devas, Asuras,
Yakshas, Dravidas and all the other living creatures.
In one version, with Aditi, he fathered Surya (the Sun God) or
alternatively Agni (the God of Fire) and the Adityas. In another version,
Vamana (an avatara of Vishnu) is the child of Aditi and Kashyapa. The
Rishi is also said to be the brother-in-law of Dharma and Adharma.
In Hindu Texts
Various Hindu texts give very different accounts of Rishi Kashyapa's life
and time.
- According to the Ramayana, he was married to the eight daughters of
Daksha, while in the Mahabharata and Vishnu Purana, he married all the
thirteen daughters of Daksha. The daughters' names are also different
in both the versions.
- Some legends describe him as the son of Marichi and a descendant of
the Suryavansha (the Solar Dynasty). Yet others say that he was a
descendant of Uttamapada, who married Daksha's daughters. Lesser heard
legends state that he was a descendant of Hiranya Kashyapa.
- According to some legends, Kashyapa is believed to have drained the
Kashmir valley, so as to make it utterly uninhabitable. This could
probably correspond to a Buddhist legend, where Manjushri drained
Nepal and Tibet. Here, the concept of "draining" could mean removing
the stagnant waters of ignorance and spreading knowledge and wisdom
throughout the valley.
- The Sindh city of Multan in present-day Pakistan, also referred to
as Mulasthana, was called Kashyapapura in some ancient legends. Some
associate Kashyapa as River Indus in the Sindh region. Some other
legends state that Kashyapa reclaimed that land from a huge lake and
that his school was based there. The land was ultimately named after
him as well. However, there is no official record to prove these and
similar other theories.
Kashmir
It is believed that Kashmir, situated in the northern Himalayan region of
India, got its name from Rishi Kashyapa. Some experts aver that this may
have been the shortened version of "Kashyapa Mir" or the "lake of the sage
Kashyapa". It could have also been derived from "Kashyapa Meru", or the
"sacred mountains of Kashyapa".
Interestingly, in ancient Greek texts, this land has been linked to the
expedition of Alexander the Great and had been called "Kasperia", probably
a short form of "Kasyapamira". Further, the word "Kaspapyros", which
appears in Greek geographer Hekataois text, traces the path of the Indus
River from the mountains, where it drained in the sea. Kaspa-pyrus may
have been derived from "kasyapa-pur" or the "city of Kashyapa".
In Buddhist Texts
According to Buddhist Pali canonical texts such as Digha Nikaya and
Tevijja Sutta, the Buddha used to have discussions with the Vedic scholars
of his time. The Buddha named ten Rishis, calling them "early sages" and
makers of the ancient verses that were collected and chanted during his
era. Among these ancient sages is Kassapa, which is the Pali spelling of
"Kashyapa".
Literary Works
Kashyapa is accredited as the author of innumerable texts in the medieval
era. The following are some treatises named after the Rishi or attributed
to him:
- Kashyapa Samhita, also called Vriddhajivakiya Tantra or Jivakiya
Tantra, is a reference book on Ayurvedic paediatrics, obstetrics and
gynaecology. Revised by Vatsya, this is a tutorial, jointly written by
the sage and his student, Vriddhajivaka.
- Kashyapa Jnanakandah or his "book of wisdom", is a 9th century text,
used in Vaishnavism.
- Kashyapa Dharmasutra, which is now lost, is supposed to be a very
ancient text. Its existence is inferred from quotes and citations by
ancient Indian scholars.
- Kashyapa Sangita, again a very old text, is now lost to us. This was
supposed to be a treatise on music and is quoted by Shaivism and the
Advaita scholar, Abhinavagupta. Here, Kashyapa explains the viniyoga
(meaning and uses) of each rasa and bhava. Another music scholar named
Hrdanyangama, mentions the Rishi's contributions to the theory of
alankaras in Indian music.
- Kasyapasilpa, also referred to as Amsumad Agama, Kaspiya or
Silpasastra of Kasyapa, is a Sanskrit treatise on architecture,
iconography and the decorative arts.
Lopamudra
Lopamudra, also known as Kaushitaki and Varaprada, was an ancient female
philosopher. The wife of Rishi Agastya, she is believed to have lived
during the Vedic period (1950 BC-1100 BC). Several hymns in the Rig Veda
have been accredited to her authorship. Not only was she a Rishipatni, but
she was also a yogini in her own right. She is believed to have visualized
the "Panchadasi" mantra of the Sakta tradition of Hinduism.
Etymology
The name Lopamudra is derived from two words, namely, "lopa" (the loss)
and "mudra" (beauty or signature feature). This implies the loss that
animals and plants suffered by giving their distinctive features to her,
when Agastya created her. Agastya is believed to have created Lopamudra
and given her to the King of Vidarbha, who was in penance, seeking
progeny. The Rishi created her with the intention of marrying her in the
future.
In due course of time, Lopamudra grew to be a beautiful young woman.
Agastya then approached the king and demanded his daughter's hand in
marriage. Lopamudra agreed to wed him and left the palace to live with him
in his ashrama.
After some time, however, she got tired of his austerities and penance.
She started writing a hymn in the Rig Veda, asking for his love and
attention. This hymn made him realize that he was neglecting his husbandly
duties. He changed his ways and soon, the couple had a son named
Dridhasyu, who later went on to become a poet.
Lopamudra, along with her husband, is also credited for spreading the fame
of the Lalita Sahasranama (the thousand names of the Devi). It is further
believed that Rishi Agastya learnt the same from Hayagriva, who is an
avatara of Lord Sri Maha Vishnu.
Legend
There are three versions of the legend of Lopamudra. The first one
features in the Rig Veda; the second in the Mahabharata and the third, in
the Giridhara Ramayana. Let us now look at all these three legends.
In the Rig Veda
In the Rig Veda, there are hymns written by 27 Rishikas or female Rishis.
This shows the tremendous influences female philosophers had at that time.
These hymns can be categorized under three groups. The hymns in the first
group were contributed by Rishikas only, such as Vishwavara and Apale. The
second group comprises verses, out of which some have been written by
Rishikas, particularly, Lopamudra and Shashiyasi, the wife of Taranta. The
third group mostly deals with mythological characters and is a
representation of theoretical qualities.
Lopamudra's hymn has six verses, which have her name tag and are dedicated
to Goddess Rati, the consort of Kama or Manmata, the God of Love. Her
hymns elaborate on the ties between a husband and wife. She is credited as
the author of hymn number 179 of the Rig Veda.
The Rig Veda considers both Agastya and Lopamudra as "mantra drashta". She
is also mentioned in the Yajur Veda and in the Agama Granthas as well.
Here too, she is considered to be "Mantradrika" (well versed in the
mantras).
In the Mahabharata
The Aranyaka Parva of the Mahabharata relates the story of Agastya and
Lopamudra. The legend begins with the asura brothers, Illwala and Vatapi,
who lived in Manismati. It is also believed that they originally came from
Badami in Karnataka. Illwala requested a learned Brahmin to bless him with
a son who would be as powerful as Indra. When this did not happen, he and
his brother got annoyed with the Brahmin and started to harass him.
Vatapi would transform himself into a buffalo. After killing the buffalo,
Illwala would serve the cooked meat to the Brahmins. After he forced the
Brahmins to eat the same, he would ask his brother to come out of their
stomachs. Vatapi would then assume his normal form and emerge from their
stomachs; killing them in the process.
Agastya came to know about this. At that time, he had attained much power
through penance and was on his way to heaven. On the way, he was surprised
to see many souls hanging upside-down. When he asked them the reason for
their plight, they said they were hoping that a son would be born to their
descendant, so that they could get a release from their curse. They also
told him that they were his ancestors and that it was now time for him to
get married and beget a son, so that he could free them and send them to
heaven.
In another version, Agastya got a dream, where he encountered his
ancestors suspended upside-down, hanging over a deep ravine.
Agastya Creates Lopamudra
Agastya then started creating a woman of rare beauty and intelligence. He
took the best features from various creatures – he took the eyes of the
doe, the grace of the panther, the slenderness of palm trees, the
fragrance of the champaka flower and so on. He then gave the child to the
King of Vidarbha to raise her.
Agastya Marries Lopamudra
When she came of age, he approached the king and asked for her hand in
marriage. Fearing his curse if he denied the sage, the king gave his
daughter in marriage to him. Lopamudra left the comforts of the palace and
went to live in her husband's hermitage.
In the ashrama, Agastya remained cool and aloof from Lopamudra. Though she
was beautiful and charming, he refused to be swayed by her. However, one
day, he saw her swimming naked in a lake. Her beautiful figure and
sensuousness attracted him. He also thought of the promise he had made to
his ancestors, to beget a son.
He then wanted to make love to her. Lopamudra, however, kept a condition
that she would sleep with him only if he gave her all the princely
comforts and wealth that she was used to, prior to getting married.
He pleaded that he was an ascetic and would never be able to break the
years of asceticism only to gain material wealth. She, however, was firm
in her decision and argued that, using his great ascetic powers, he could
gain anything in this world. In that way, she persuaded him to go in
search of riches.
Agastya Acquires Riches
In his search for wealth, Agastya met three kings, Srutarvan, Vradhnaswa
and Trasadasyu. They received him with great respect and requested him to
state his wish. When he told them to give him a part of their wealth, they
promised to give him the surplus they would have in their treasury, after
serving their subjects. Feeling that it would not be adequate, the Rishi
went to Illwala, the King of Asuras, who was very wealthy.
Illwala too was very respectful towards him and offered him and his
entourage the leftover meat of his brother Vatapi, who had taken the form
of a buffalo. While the others were scared to consume it, Agastya ate it
without hesitation and then said, "Vatapi jeerno bhava", meaning, "may
Vatapi be digested". After that, Illwala, as usual, called out to his
brother to come out of Agastya's stomach. But the Rishi merely belched and
only gas came out of his mouth. Illwala was grief-stricken at the loss of
his brother Vatapi. However, he gave Agastya all the wealth that he
desired, plus gold and silver coins and his golden chariot as well.
The sage came back home with all the wealth, thereby pleasing his wife.
She eventually gave him a son called Drdhasyu. He was very knowledgeable
in the Vedas and Upanishads. After his birth, Agastya performed the rites
to release his ancestors of their curse.
In Giridhara Ramayana
In the Giridhara Ramayana, Agastya approached the King of Kanyakubja,
seeking one of his many daughters' hand in marriage. The king promised him
that he would do that when one of them came of age. A few years later, the
sage returned with the same request. By then, the king had gotten all his
daughters married. But fearing Agastya's curse, he dressed his son
Lopamudra as a girl and presented him to the sage. Miraculously, Lopamudra
was transformed into a woman after the wedding.
Other References
The Sri Vidya Mantra, dedicated to the Devi, has twelve variations. Each
of them is credited to a devotee, which includes Lopmudra. The other
devotees include Manu, Chandra, Kubera, Manmatha, Agastya, Surya, Indra,
Skanda, Shiva and Krodhabattaraka (Durvasa). One of the versions, which
was popular in South India around the 6th century AD, is called the
Lopamudra Mantra. Though not practised anymore, it is also associated with
some traditions in Kashmir.
River Kaveri in Karnataka is also referred to as Lopamudra. According to
legend, Agastya kept Lopamudra confined in his Kamandalu or pot. During
one of his sojourns, he met another woman, fell in love with her and
started living with her. Knowing this, Lopamudra wept. Then, Lord
Ganesha,
who was passing by, heard her cries and released her from the pot she was
confined in. She flowed out as the river Kaveri.
Markandeya
Markandeya is yet another ancient and powerful Rishi in Hinduism. There is
an entire Markandeya Purana, entirely dedicated to him, which comprises a
dialogue between the Rishi and a sage called Jaimini. The Bhagavata Purana
too makes prominent mention of him. In the Mahabharata, Markandeya is
venerated as one of the greatest and most devout sages. He is a highly
respected figure throughout all traditions and schools of thought in
Hinduism.
Legend
One legend about Markandeya narrates how he was rescued by Kalantaka (
Lord
Shiva). The Lord protected him from the clutches of death, in the
form of Yama.
According to this tale, the great sage Mrikandu and his wife Marudmati
sought the blessings of Shiva. They were childless and were desperate to
beget offspring. Shiva appeared before them and offered them the boon of a
son, but gave them a choice. They had to choose between a righteous son,
who would have a short life; or a mediocre child, who would live long. The
couple chose the former and were blessed with Markandeya. The boy was an
exemplary son in all ways, but was sadly destined to die at the tender age
of 16.
Lord
Shiva Sitting on Bull
Resin Statue
Like his parents, Markendeya too grew to become a great devotee of Shiva.
Soon, he turned 16 and it was time for his departure from this mortal
world. Even that day, he continued with his routine worship of the
Shivalinga.
When the time of his death arrived, the messengers to death came to take
him away. They, however, could not get anywhere near the boy, who was
surrounded by a powerful aura of protection that Shiva himself had created
around him. Then, Yama, the God of Death arrived there. He demanded
Markandeya to surrender his life to him. The boy calmly and politely told
him to wait, since he was in prayer.
Markandeya hugged the Shivalinga and continued to pray to his Lord.
Sniggering at the boy's arrogance and ignorance, Yama threw his noose
around the boy. Accidentally, it landed around the idol. Yama yanked at
the idol, in an attempt to rope in the boy with it as well.
Suddenly, Shiva appeared before Yama in a rage and ordered him to go away
and leave his devotee alone. He also said that the boy had his full
blessings and would live forever. Yama defied the order, which further
enraged Shiva. The Lord challenged him to battle and effortlessly defeated
Yama, actually bringing him to the point of death. Shiva then revived Yama
and let him go, on the condition that he would let Markandeya live
forever. Thus, Shiva earned the name Kalantaka (Ender of Death).
It is believed that this event took place on the banks of Markanda River
in Kurukshetra District. An ancient Markandeshwara Mahadeva Temple was
built on the site. This temple has been rebuilt in modern times. Some
believe that it took place in Thirukkadaiyur, Tamil Nadu.
In the Bhagavata Purana
The Bhagavata Purana relates another legend associated with Rishi
Markandeya. As per this tale, once Markandeya visited Narayana Rishi and
asked him for a boon. He prayed to the sage to show him his Maya (illusory
powers), as Nara-Narayana are an incarnation of Sri Maha Vishnu. In order
to fulfil Markandeya's wish, Sage Narayana appeared before him in the form
of a child floating on a leaf, also declaring that he Time and Death.
Markandeya entered his mouth and saved himself from being drowned by the
water surrounding the child. Inside the stomach, Markandeya discovered all
the worlds, the seven regions and the seven oceans. Everything in the
Universe was all there, including mountains, kingdoms, animals, birds,
trees, flowers and fruit and all living beings. Astounded, he started to
pray to Lord Vishnu.
Immediately, he came out of the child's stomach and exited from his mouth.
Vishnu appeared before him and blessed him. Markandeya spent a thousand
years with Vishnu and also composed the Bala Mukundashtakam.
Today, one can visit Markandeya Tirtha, the place where the Rishi wrote
the Markandeya Purana. This is situated on a trekking route to the
Yamunotri shrine in the Uttarakashi District of Uttarakhand.
According to the Sati Purana, a secret portion of the Markandeya Purana,
Goddess
Parvati
also gave him a boon to write a treatise on Veena Charitra on her. This
treatise is known as Durga Saptashati and is an important portion of the
Purana. The Devi Mahatmya section of the Markandeya Purana is one of the
most vital aspects of the Shakti tradition.
Parashara
Parashara was a Maharishi and the author of several ancient Hindu texts
and treatises. He is credited as the author of the first Purana, the
Vishnu Purana, before his son, Vyasa, rewrote it in its present form.
Parashara hailed from an illustrious family. He was the grandson of
Vasishtha and the son of Shakti Maharishi. Several texts mention the Rishi
as one of the greatest authors/speakers of his time. He is also the third
member of the Rishi Parampara of the Advaita Guru Parampara.
Some experts today believe that many of these
texts were never written by Parashara himself, but by individuals who used
his name on those texts, so that they would become important.
Family
According to the Vedas, Brahma created Rishi Vasishtha, who had a son by
his wife Arundhati. They named him Shakti Maharishi. He in turn sired
Parashara. With his wife Satyavati, Parashara sired Vyasa, who was the
father of Dhritarashtra and Pandu, as mentioned in the Mahabharata.
Vyasa also had Ambika and Ambalika with his deceased brother's wives and
Vidura through a maid of Ambika and Ambalika. Further, through his other
wife, Jabali, he also sired Shuka. Thus, Parashara was the
great-grandfather of both the warring parties of the Pandavas and the
Kauravas, as per the Mahabharata.
Parashara is also the gotra for the ancestors and their offspring.
Life
As he lost his father at a young age, Parashara was raised by his
grandfather Vasishtha. His father, Shakti Muni, was on a journey, while he
encountered an angry Rakshasa. The Rakshasa had once been a king, but had
been cursed by Rishi Vishwamitra to turn into a demon and feed on human
flesh.
The demon came face-to-face with Shakti Muni and immediately devoured him.
In the Vishnu Purana, Parashara narrates how angry he felt when he came to
know about his father's untimely death. He then vowed that he would
destroy and sacrifice the lives of Rakshasas and work for the
extermination of the entire race as a whole.
Parashara then went about destroying thousands of demons and burnt them to
ashes. When the Rakshasa race was just about to be wiped out, Vasishtha
intervened and asked him to stop this needless violence and bloodshed.
Parashara obeyed his grandfather and, at the will of Brahma, Vishnu and
Shiva, travelled across the country. In one such journeys, he stopped for
the night in a little hamlet on the banks of River Yamuna. He was staying
in the humble home of the fisherman-chieftain, Dusharaj. When it was dawn,
Dusharaj asked his daughter, Matsyagandha (literally meaning, "one who
smells of fish"), to ferry the sage to his next destination.
Sitting in the ferry, Parashara was attracted to this beautiful girl. With
his spiritual powers, he created an island within the river and asked her
to land the boat there. He also created a dense fog, which enveloped the
entire river. Parashara then blessed her with a son, Krishna Dwaipayana,
whose name literally meant, "the dark one who was born on the island".
Later, Parashara compiled the Vedic literatures and hence, came to be
known as Vyasa; also, the 17th incarnation of Lord Vishnu. Parashara then
granted Matsyagandha the boon that the finest fragrance would emanate from
her person. After since, she came to be known as Satyavati or the "one
with the pure fragrance".
After some time, Parashara left Satyavati in the care of Vyasa and then
proceeded to perform his penance and austerities. Vyasa went on to become
a Rishi and Satyavati returned to her father's house. In due course, she
married Shantanu.
Maharishi Parashara had wounded his leg when he tried to fend off an
attack on his ashrama. After that, he was known as the "limping sage".
When a Maharishi of his stature leaves the mortal world, he merges back
with an element or archetype. He was once walking through a dense forest,
along with his students, when they were attacked by a pack of wolves. He
was unable to run and escape due to old age and his lame leg. He breathed
his last and merged into the wolves.
Texts
A number of texts and verses are attributed to Parashara. Here are a few:
- He is regarded as the seer of verses in the Rig Veda
- Parashara Smriti, also called Parashara Dharma Samhita, is a code of
laws which are prescribed in the text, to be followed in the present
Kali Yuga
- He is the speaker of the Vishnu Purana, which is considered to be
the first Purana
- He is the speaker of the Brahad Parashara Horashastra, which is
considered to be the foundational text of astrology. This dates back
to the 7th or 8th century CE
- He is the speaker of the Vrikshaayurveda or the "science of life of
trees"; one of the earliest treatises of botany. This was also
considered to be the ancient botany primer for students of Traditional
Indian Medicine
- He is attributed to the Krishi Parasaram, which is an ancient book
dealing with agriculture and weeds
Parashurama
Parashurama is the sixth avatara of Lord Sri Maha Vishnu. Born as a
Brahmin, he exhibited all the traits of a Kshatriya (warrior), such as
aggression, expertise in warfare and valour. At the same time, he was also
serene, prudent, wise and patient – traits usually exhibited by Brahmins
and Rishis. Hence, is commonly regarded as a Brahmin Warrior.
Like all the other avataras of Vishnu, it was prophesied that he would
appear at the time when evil overwhelmed and destroyed all good on Earth.
The Kshatriyas, with all their might and weapons, had begun to abuse their
power. They took others' money by force and tyrannized them. Parashurama
then manifested on Earth in order to correct the cosmic balance by
destroying the wrongdoing Kshatriya warriors. He is also known as Rama
Jamadagnya, Rama Bhargava and Veerarama in some Hindu texts.
Iconography
- The Vishnudharmottara Purana and the Rupamandana describe
Parashurama as a man with matted locks. He has two hands; one carrying
an axe.
- The Agni Purana depicts him with four hands, carrying his axe, bow,
arrow and sword.
- The Bhagavata Purana describes him as having four hands, carrying
his axe, bow and arrows and shield.
- Though hailed as a warrior, he is not usually portrayed in war
scenes in Hindu temples. The Basohli Temple located in the Kathua
District of Jammu and Kashmir is an exception.
- Usually, Parashurama is shown with two hands, the right one holding
an axe, and being either in sitting or standing position.
Legend
According to some legends, Parashurama was born in a Saraswat Brahmin
family, to sage Jamadagni and his wife Renuka. It is believed that his
birthplace is on top of Janapav Hills in Indore, Madhya Pradesh. Nearby
there is a Shiva temple, where Parashurama is said to have worshipped Lord
Shiva. The ashrama where he was born is called Jamadagni Ashrama, named
after his father. It is situated near a kund (pond), which is now being
developed by the State Government.
Jamadagni had a celestial cow, called Surabhi. This cow gave the family
all that they desired. Once, a king called Kartavirya Arjuna asked
Jamadagni for the cow. The sage, however, refused to part with it. The
King took it by force. When Parashurama heard about the incident, he
challenged the King to battle. He had just his axe in his hand. A battle
ensued, where he killed the king. He then killed all his challengers as
well.
In other versions of the legend, after winning the battles, Parashurama
returned Surabhi to his father and told him about the number of people he
fought and killed. Jamadagni was upset and reprimanded him, saying that
Brahmins should never kill a king. He also asked his son to atone for his
sins by going on a pilgrimage.
Parashurama left the hermitage for some years. After he returned, he was
told that his father was killed by warriors seeking revenge. He again
picked up his axe and killed several warriors in retaliation. In the end,
he gave up fighting, put down his axe and took up Yoga and meditation.
In Kannada folklore, especially in devotional songs sung by Devadasis, he
is often referred to as the son of Yellamma.
The Parashurama avatara is known for violence, revenge and retaliation.
The main purpose of the avatara seems to be to educate people on the
futility of krodha (anger), himsa (violence) and the need for repentance.
Parashurama Creates Kerala
There are interesting legends connecting Parashurama with the geographical
and cultural origins of Kerala. One such is the sage's retrieval of Kerala
from below the sea. According to this tale, he threw his battle axe into
the sea. As a result, the beautiful, green land of Kerala arose from below
it, thus reclaiming it from the waters.
In the Treta Yuga, Parashurama retrieved the submerged land from Varuna,
the God of the Oceans and Bhoomidevi, the Goddess of Earth. From Gokarna,
he travelled to Kanyakumari, where he threw his axe northward across the
ocean. At the place where the axe landed, the land came up and became
Parashurama Kshetra. It was a piece of land situated between Gokarna and
Kanyakumari.
According to some Puranas, it was Parashurama who planted Brahmins and
Nayakas in 64 regions of Kerala from the Chera and Pandya regions. Kerala
is also sometimes known as Parashurama Kshetram, that is, the "Land of
Parashurama".
As per one legend, Parashurama once went to meet Shiva. On the way,
however, he was blocked by Ganesha, the Elephant-Headed Lord. Angry, the
sage threw his axe at him. Ganesha, knowing that the axe had been given to
him by Shiva himself, allowed it to cut off one of his tusks.
In the Ramayana
As per the Ramayana, Parashurama came to the betrothal ceremony of Rama to
Princess Sita.
Rama
was the only one who had successfully strung the bow of Shiva (which was
given to King Janaka by Parashurama) and thus, had won her hand in
marriage. In the process of stringing the bow, Rama actually broke it into
two, producing a tremendous noise, which reached the ears of Parashurama.
Recognising the bow's resonance as the one gifted by him, Parashurama
rushed to Janaka's palace. The Kshatriyas, on seeing him, were afraid to
confront him. However, Sita approached the Rishi and respectfully fell at
his feet. Blessing her, he turned to confront Rama, the one who destroyed
Shiva's bow.
Parashurama had learnt archery from Lord Shiva himself. Further, his anger
was fuelled by the fact that a Kshatriya Prince had broken Shiva's
priceless bow. He proceeded to lift his axe to attack Rama, but could not
do so. Their eyes met and instantly, he recognized Rama for what he truly
was – another avatara of Vishnu. Parashurama smiled and retreated back
to his abode.
Ram,
Vashishth with Parashuram
Kalamkari Painting on Canvas
In the Mahabharata
The Mahabharata describes Parashurama as an angry Brahmin, who, with his
axe, killed innumerable Kshatriyas, because they were abusing their
powers. In some versions, he even beheaded his own mother, on the orders
of his father. She had lustful thoughts on seeing a young couple
frolicking in the water. Jamadagni wanted her to pay for this sin. After
Parashurama brought her head to his father, he asked for the reward that
her life be restored and everything come back to normal. His father agreed
and blessed him. Ever since, Parashurama was filled with sorrow, repented
the violence and proceeded to go for a long pilgrimage.
The Rishi plays an important role in the Mahabharata. He mentored Bhishma,
Drona and Karna, teaching them weaponry and helping the key warriors in
both the sides, during the Great War of
Kurukshetra.
Thus, Parashurama is an avatara that co-exists the avataras of Rama and
Krishna.
Texts
- According to most Hindu texts, Parashurama is the fifth son of
Renuka and Jamadagni.
- In Chapter 6 of the Devi Bhagavata Purana, he was born from the
thigh and emanated intense light, which would blind all warriors. They
would then repent their evil ways and promise to lead a life adhering
to the rules of dharma. Their eyesight would then be restored by
Parashurama, who would then grant them the boons they desired.
- Chapter 4 of the Vishnu Purana says that once, Richika prepared a
meal for two women – one simple and another, with ingredients, which
would cause a woman to conceive a son with warrior-like powers. The
second meal was accidentally consumed by Renuka and she eventually
gave birth to Parashurama.
- According to Chapter 2 of the Vayu Purana, he was born after his
mother, Renuka, ate a sacrificial offering made to Rudra (Shiva) and
Vishnu. This also ended up giving him the dual character of Kshatriya
and Brahmin.
- According to the Bhagavata Purana, Parashurama retired in the
Mahendra Mountains. He is the only avatara of Vishnu who never dies,
never returns to merging back with Sri Maha Vishnu and constantly
lives in meditative retirement.
Parashurama Kshetras
- There is more than one interpretation of the term "Parashurama
Kshetra". The ancient Saptakonkana region is referred to as
Parashuramakshetra. The region between Vapi and Tapi, in South
Gujarat, was blessed by the Rishi. Hence, it is called "Parshuram Ni
Bhoomi".
- The Konkan region is also considered as Parashurama Kshetra.
- Parshuram Kund, a Hindu pilgrimage site in Lohit District of
Arunachal Pradesh, is dedicated to the Warrior Sage. Thousands of
devotees throng this pond to take a holy dip, especially on Makar
Sankranti day. This is believed to wash away all their sins.
Pulastya
Rishi Pulastya was one of the ten Prajapatis or mind-born sons of Lord
Brahma. His name, in Sanskrit, literally means "the one with straight or
smooth hair". He was also one of the Saptarishis in the first Manavantara.
According to the Mahabharata, Pulastya sired the Rakshasas and the
Kinnaras.
References to Pulastya can be found in several epics and scriptures of
Hinduism. He receives prominent mention in the Atharva Veda, the Pravara
texts, the Manu-smriti and the Mahabharata as well. According to
Shivageeta, Pulastya is also the name of Lord Shiva.
Family
Pulastya was the one through whom some of the Puranas were communicated to
mankind. He received the Vishnu Purana from Brahma and taught it to
Parashara, who then made it known to mankind. Rishi Pulastya was married
to Havirbhoo, one of the daughters of Rishi Kardama.
The sage was the father of Vishrava and Maharishi Agastya. Vishrava or
Vishravas was the father of
Ravana,
Kubera and all the Yakshas. Through his wife Kaikesi, Vishrava sired
Ravana, Shurpanakha, Kumbhakarna and Vibhishana. By another wife, Ilavida,
he had a son named Kubera, who went on to become the Demon-God of Wealth.
In Hindu Mythology
- Once, Ravana was imprisoned by King Kartavirya Arjuna. Pulastya
wanted to save Ravana at all costs and hence, intervened in the issue,
in order to get him released from prison.
- Rishi Pulatsya inspired Parashara to compose the famous Vishnu
Purana.
- Bhishma, the Grand Old Man of the Mahabharata; also the grandsire of
the Pandavas and the Kauravas; learnt about the greatness of several
places of pilgrimage, from Sage Pulastya.
In the Ramakien
In the Thai National Epic, Ramakien, Pulatsya is referred to as Latsatian.
He was the second King of Lanka and the father of Thotsakan.
Archaeology
A famous granite statue of a king in Polonnaruwa, Sri Lanka, was initially
thought to be that of King Parakramabahu the Great. Some experts now
believe that this might be the statue of Rishi Pulastya. However, this
idea has been refuted by others, who argue that there are no other
statues, paintings or carvings of the sage anywhere else in Sri Lanka.
Pulastya Pulhashrama
Pulastya Pulhashrama is located at the Pachhai of Myagdi District in Nepal
and is one of the holiest sites of pilgrimage for Hindus across the world.
In fact, this entire area is known as Siddhi Peeth, as several powerful
Rishis had lived, meditated and attained enlightenment in this place.
The Srimad Bhagavata Purana mentions that three powerful Rishis, namely,
Pulaha, Pulastya and Vishrava meditated in this very location. They were
all great devotees of Lord Shiva. It is also believed that Ravana was born
and brought up in this region. Interestingly, both Pulaha and Pulastya
were the sons of Lord Brahma and Vishrava was the son of the latter.
Valmiki
Valmiki is venerated as the harbinger-poet in Sanskrit literature. The
Ramayana is attributed to him. In fact, he has penned the original version
of the Ramayana, called the Valmiki Ramayana. This is the most popular
version as well.
Valmiki is considered the Adi Kavi or the first poet, as he is the author
of the Ramayana, the very first epic poem. The Valmiki Ramayana consists
of 24,000 shlokas and 7 kandas (cantos), including the Uttara Kanda.
This Ramayana comprises about 480,002 words. That is a quarter of the
length of the Mahabharata and about four times the length of the Iliad.
Though dated variously from 500 BCE to 100 BCE, it is impossible to date
accurately, as it has undergone a process of changes, interpolations and
redactions ever since.
According to popular belief, Rama met Valmiki during his exile and
interacted with him. Rishi Valmiki also gave shelter to Sita in his own
hermitage, when Rama abandoned her. Their twin sons, Lava and Kusha, were
born in his own ashrama. The sage taught the young ones the Ramayana, who
sang the divine story in Ayodhya during the Ashwamedha Yagna. In fact,
Lava and Kusha were the first disciples to whom he taught the epic poem.
Hearing this, King Rama wanted to know who they were. He summoned the boys
to his palace, where they sang the song again. He then realized that these
godlike children were his own and then returned to Valmiki's hermitage to
bring Sita back home.
Early Life
Valmiki was born as Agni Sharma in a Brahmin family, to Pracheta (also
known as Sumali) of Bhrigu Gotra. As per legend, he once met the great
Sage Narada and had a discussion with him about his duties. On the
latter's advice, Agni began to perform penance, constantly chanting the
word "Mara", which actually meant, "kill".
As he went on chanting over many years, the word transformed to "Rama",
the seventh avatara of Lord Sri Maha Vishnu. Huge anthills formed around
Agni, thus giving him the name Valmiki (meaning, "anthill"). Agni was then
rechristened as Valmiki. He learnt the scriptures from Narada and went on
to become one of the most powerful Rishis, revered by one and all around.
A Bandit Transforms into a Maharishi
As per popular legend, Valmiki was originally a common highway bandit,
Ratnakara, who transformed into a Maharishi, by changing his evil ways
overnight and placing unwavering faith in his Guru.
Ratnakara earned his living by ambushing unsuspecting travellers and
stealing their wealth. He was utterly fearless and had no remorse about
his actions. One day, he happened to meet Devarishi Narada. He saw Narada
walking along the path, merrily singing the Lord's name. When Narada saw
the bandit approaching him, he was unaffected and continued singing
Vishnu's praises.
This infuriated Ratnakara. He told Narada who he was and said that the
latter should be afraid of him, as he could potentially cause him harm.
Narada, however, remained peaceful and told him that it was Ratnakara who
should be afraid, as he would have earned much negative karma through his
deeds and would definitely go to hell after his death.
Narada also told Ratnakara that, although his family was ready to share
all the wealth and jewellery that he earned by wrongful means, they would
never be willing to share his sins. The latter returned home and asked his
family if they would share his sins, but they flatly refused, saying that
his sins were up to him to endure.
Finally understanding the truth of life, Ratnakara asked Narada for
forgiveness and requested him to become his Guru. The divine sage taught
him the mantra for salvation. Knowing that his sins would prevent him from
taking the name of God as it was, he advised the bandit to keep chanting
"mara-mara". This, continuously repeated, would create the name
"Rama-Rama".
Ratnakara followed Narada's advice and proceeded to chant the mantra. He
ignored all his bodily requirements and would chant all day long, not even
stopping for eating, drinking water or sleeping. Soon, termites built a
huge hill around him and ate up his body completely. He thus earned the
name Valmiki. Valmiki kept chanting for many years, after which he
ultimately attained salvation.
Ratnakara had so much faith in Narada that he never asked him the meaning
of "mara-mara" and why he had asked him to keep repeating it. He merely
followed his Guru's instructions. This shraddha (focus) and bhakti
(devotion) towards his Guru finally helped him reach his goal of attaining
mukti; finally making him the author of the Ramayana. Thus, this story
shows that anyone can attain godhead when they completely surrender to the
advice of their Guru.
Valmiki's First Shloka
Valmiki was once walking towards River
Ganges
for his daily ablutions. His disciple, Bharadwaja, was carrying his
clothes. On the way, they came across the Tamasa Stream. Valmiki looked at
it and elated at how clear it was. He said to his disciple that the stream
was like the mind of a good man. He then decided to bathe there that day.
When he went looking for the right place to step into the stream, he saw a
crane couple mating. Valmiki thrilled in the fact that even the birds were
happy in that location. Suddenly, an arrow hit the male bird and he died
on the spot. Filled with sorrow, its mate shouted in agony and she too
died of the shock.
Valmiki was highly grieved by the pitiful sight. Looking around to find
the one that had shot the bird, he spotted a hunter with a bow and arrows
nearby. Enraged, Valmiki cried out:
"Ma nisada pratistha tvamagamah sasvatih samah
Yat kruanchamithunadekam avadhih kamamohitam"
Meaning...
"You will find no rest for long years of eternity
For you killed an unsuspecting bird in love"
Coming spontaneously from his grief and rage, this is considered to be
Valmiki's first Shloka in Sanskrit literature. Later, he went on to
compose the entire Ramayana with the blessings of Brahma. Interestingly,
the epic poem was composed in the same meter as that of the shloka. That
is again why the shloka is revered as the first shloka in Hindu literature
itself.
Valmiki as an Incarnation of Brahma
According to the Vishnudharmottara Purana, Valmiki was born in the Treta
Yuga, as an incarnation of Lord Brahma himself. Hence, the Purana says
that those who are desirous of earning knowledge should worship Maharishi
Valmiki.
It is believed that the sage later reincarnated as Tulsidas, who composed
the Ramcharitamanas, which is the Awadhi-Hindi version of the Ramayana.
Temples
- Thiruvanmiyur, an area in Chennai, is believed to have derived its
name from Rishi Valmiki. It is said that it was originally
Tiru-Valmiki-Oor (the place/town of Valmiki). Here, one can find a
temple dedicated to the worship of Valmiki. This temple is supposedly
1,300 years old.
- The Shree Valmiki Mata Maha Samsthana in Rajanahalli, Karnataka, is
also quite famous.
Vasishtha
Vasishtha is one of the most ancient and most revered Vedic Rishis. One of
the Saptarishis, he is accredited as the author of Mandala 7 of the Rig
Veda. Vasishtha and his family receive mention in the Rigvedic mandalas
and several other Vedic texts. He is considered to be the first sage of
the Vedanta school of Hindu philosophy by Adi Shankara. In Sanskrit,
Vasishtha, also spelled as Vashishtha, means "most excellent, best or
richest".
Yoga Vasishtha, Vasishtha Purana and some versions of the Agni Purana and
Vishnu Purana are attributed to him. He also plays a vital role in many
mythological stories and is believed to be in possession of
Kamadhenu,
the Divine Cow and Nandini, her calf, who could grant any wish their
owners sought. He is famous for his long-lasting feud with Rishi
Vishwamitra.
The Rig Veda describes Vasishtha as a scholar who travelled across the
Indus River to establish his school. Married to Arundhati, he was also
called Arundhati Nath. He is said to have lived on the banks of the Ganga
in present-day Uttarakhnad. Later, this place is believed to have been the
abode of Sage Vyasa, along with the Pandavas.
Vasishtha is described as a sage with long flowing hair, which is neatly
tied into a bun and coiled with a tuft to the right. Further, he has a
beard, a handlebar moustache and a tilak on his forehead.
Texts
- Vasishtha Samhita is a medieval Yoga text. There is an Agama too,
with the same name.
- Vasishtha Dharmasutra is one of the few dharma-related treatises,
which still survives to date. It forms and independent text and other
parts of the Kalpasutra are missing.
- Yoga Vasishtha is a syncretic medieval text, which discusses Vedanta
and Yoga philosophies. Written in the form of a dialogue between the
Rishi and Rama, it deals about Yoga and its principles, the nature of
life, human suffering, freewill, choices presented to human beings,
human creative power and spiritual liberation, among other things.
These teachings are structured as stories and fables, with a
philosophical approach that is similar to Advaita Vedanta.
- Rishi Vasishtha is accredited as the author of the Agni Purana.
- The Vishnu Purana is attributed to the Rishi, along with Rishi
Pulastya. He is also said to have written many other Vedic hymns and
is believed to be the arranger of Vedas during the Dwapara Yuga.
Legend
As per one mythological legend, Vasishtha once wanted to commit suicide by
falling into River Saraswati. However, the river wanted to stop him and
so, it split itself into hundreds of shallow channels. Some experts
believe that the story has its roots in the braiding process of the Sutlej
or Satluj River, as it is alternatively spelt.
Rivalry with Vishwamitra
Vasishtha is known for his long-lasting feud with Vishwamitra. The King
Vishwamitra coveted the former's divine cow, Nandini. When the sage
refused, he challenged him to a battle. Vasishtha destroyed the king's
entire army and sons as well. Vishwamitra then acquired weapons from Lord
Shiva and burnt down his hermitage and sons. But Vasishtha was unperturbed
and still managed to overwhelm Vishwamitra's weapons.
Then Vishwamitra undertook severe penance for thousands of years and
became a Brahmarishi. After attaining the high spiritual state, he
understood the futility of the feud and the violence and finally
reconciled with Vasishtha.
Disciples
Maharishi Vasishtha was best known as the teacher of King Ikshvaku's clan.
He also taught Manu, the progenitor of the Kshatriyas and Ikshvaku's
father. He had several other illustrious disciples, including Nahusha,
Rantideva, Bhishma and so on.
Discovery of the Bust of Vasishtha
A copper casting of the human head of what seemed like Rishi Vasishtha was
discovered in 1958 in Delhi. This bust has been dated to around 3700 BCE.
This piece is called "Vasishth head", because the features, hairstyle,
tilak and other features resemble the description of the sage.
Strangely, this Vasishth head was not found in any archaeological site,
but in the open market in Delhi, where it was sent to be remelted.
Further, the head has an inscription of "Narayana", which may imply that
it was created in a much later millennium.
Vasishtha Temples
- There is an ashrama dedicated to Rishi Vasishtha in Guwahati, India.
This is situated close to the Assam-Meghalaya border and is a major
tourist attraction in the area.
- The Vashishth Temple, situated in Vasishth Village, Himachal
Pradesh, also brings in scores of tourists and devotees every year.
- Vasishth Cave is a cave on the banks of the Ganges at Shivpuri,
about 18 kilometers from Rishikesh. Locals believe that it was the
winter abode of the sage. It houses a Shiva temple. Nearby is the
Arundhati Cave as well.
- Guru Vasishth is the primary deity at the Arattupuzha Temple in
Thrissur District of Kerala. Here, he is known as Arattupuzha Sree
Dharmasastha. The famous Arattupuzha Pooram is an annual celebration,
where Sri Rama comes from the Thriprayar Temple to pay respects to his
Guru at the Arattupuzha Temple.
In Buddhism
In Buddhist Pali canonical texts such as Digha Nikaya, Tevija Sutta
relates a discussion between the Buddha and Vedic scholars of his time.
Among the ten rishis that Buddha talks about, Vasettha (the Pali spelling
of Vasishtha) is one of them.
Vishvamitra
Brahmarishi Vishvamitra is one of the most respected and celebrated Rishis
of ancient India. A divine being of sorts, he is also accredited as the
author of most of Mandala 3 of the Rig Veda, as also the most sacred
Gayatri Mantra. The Puranas talk of only 24 Rishis since the beginning of
time, who have understood the actual meaning of and have wielded the power
of the Gayatri Mantra. Vishvamitra is considered to be the first among
them; the last being Yajnavalkya. The story of Vishvamitra also features
in the Valmiki Ramayana.
Life
Brahmarishi Vishvamitra was originally a king, called Kaushika. A
descendant of Kusha, he belonged to the Amavasu Dynasty. So he was first
the Chandravanshi King of Kanyakubja. He was a valiant warrior and the
great-grandson of Kusha (not the son of Rama). Gaadhi was his illustrious
son and an equally capable ruler. Vishvamitra was his son. In the Valmiki
Ramayana, prose 51 of Bala Kanda starts with his tale. Vishvamitra ruled
over his kingdom for many thousands of years.
The story of the sage appears in several Puranas, but vary from the
Ramayana. Vishnu Purana and Harivamsa talk about his birth and early life.
As per the Vishnu Purana, Kushanabha married a damsel belonging to the
Purukutsa Dynasty. They were descendants of the Ikshvaku King Trasadasyu.
In due course of time, they had a son named Gaadhi, who had a daughter
named Satyavati (not the Satyavati of Mahabharata).
When she came of age, Satyavati was married to an old man called Ruchika,
who was foremost among the Bhrigu race. Ruchika wanted a son with great
qualities and so, he gave Satyavati a charu (sacrificial offering), which
he had especially prepared in order to fulfil his dreams. Additionally, he
gave Satyavati's mother another charu, to make her conceive a son with the
qualities of a Kshatriya, at her request. However, Satyavati's mother
secretly told her daughter to exchange charus with her. Eventually,
Satyavati's mother gave birth to Vishvamitra and Satyavati gave birth to
Jamadagni, the father of Parasurama. He showed all the qualities of a
great warrior, right from a very young age.
Feud with Vasishtha
As per legend, Vishvamitra once cursed King Harishchandra to become a
crane. Vasishtha also accompanied him by becoming a bird himself. This
created ill-will among the two Rishis. Further, several other instances
fuelled their feud. In many cases, Brahma himself had to interfere to
diffuse the tension between them.
According to another version, Vasishtha once destroyed the entire army of
Vishvamitra just by using his spiritual powers, by breathing the syllable
of "Aum". Vishvamitra then undertook severe penance for years, in order to
appease Shiva. The Lord bestowed upon him the knowledge of celestial
weaponry.
Filled with arrogance, he then went to Vasishtha's ashrama and started
using all those powerful weapons to destroy the Maharishi. He succeeded in
killing the Rishi's thousand sons, but could do nothing to him.
Enraged by all this, Vasishtha brought out his Brahmadanda, a wooden stick
imbued with the power of Brahma. It overwhelmed all of Vishvamitra's
weapons, including his Brahmastra. He then proceeded to attack
Vishvamitra. However, the Devas intervened to calm him down. Vishvamitra
was humiliated and had to turn back. A calm Vasishtha returned to his
hermitage to resume his meditation and other duties.
Vishvamitra and Menaka
A beautiful apsara,
Menaka,
was born during the Samudra Manthan episode (churning of the Ocean of
Milk). She was one of the most beautiful apsaras, with a sharp mind and
innate talent. She, however, was lonely and desired a family.
At this time, Vishvamitra was most powerful and even tried to create
another heaven. This frightened the Devas, who felt he would usurp their
position. So, they sent Menaka to earth, in order to lure him and break
his penance. Menaka succeeded in seducing him. As soon as he laid eyes on
her, he was filled with passion and lust and wanted her to be with him.
Menaka herself fell deeply in love with Vishvamitra. They had a baby girl,
Shakuntala, who later grew up in Sage Kanva's ashrama.
Years later, Vishvamitra came to know about Menaka's original intentions
of coming down to earth and meeting him. Feeling betrayed, he merely
cursed her to be separated from him forever. He had also genuinely loved
her and so, he could never hurt her in any way. A heartbroken Menaka went
back to Indra's court and the Rishi returned to his penance and
austerities.
Menaka
with Vishwamitra and Shakuntala
Raja Ravi Varma Painting Reprint
Rise to Rajarishi
After Menaka left, Vishvamitra went to the highest mountain of the
Himalayas to perform even more severe penance for over 1000 years.
He stopped eating or drinking water and even reduced his breathing to the
minimum possible level.
Indra became even more insecure and decided to test him once again. He
took the form of a poor Brahmin, begging for food. At that time, Kaushika
was just about to break his fast of many years, by eating some rice.
Kaushika instantly gave him his food and resumed his meditation. Thus, he
finally mastered all his five senses.
After several thousand years of penance, Kaushika's yogic power was at its
peak. At this point, Lord Brahma manifested before him and named him a
Brahmarishi. He also got the name, Vishvamitra, which means, "friend of
the whole world".
Vishvamitra then went to meet Vasishtha. Initially, when he greeted the
latter with some pride, the former merely blessed him. Suddenly, all the
pride left his heart and he became a clean and pure Brahmarishi. When
Vishvamitra turned to leave, Vasishtha too realized the change that had
occurred in him. He immediately proceeded to greet him warmly. Vishvamitra
too embraced Vasishtha, thereby instantly ending their long feud.
Creating the Trisanku Swarga
Vishvamitra is famous for creating his own version of Swarga (Heaven),
called the Trisanku Swarga. The proud King Trisanku once asked his Guru,
Vasishtha, to send him to heaven in his own body. The Guru responded that
one cannot ascend to heaven without leaving one's mortal body. The King
then asked the Sage's hundred sons to send him to heaven. The sons took
offense and cursed him to become a Chandala. Trisanku was instantly
transformed into a person with a body smeared with ash, clothed in black
and wearing iron jewellery.
His palace guards, friends, relatives and subjects could not recognize him
and he was thrown out of his own kingdom. Walking a distance, he came upon
Vishvamitra, who agreed to help him.
The Rishi organized a big sacrificial ritual to appease the Devas, begging
of them to accept Trisanku into heaven. But no Deva responded. Angry, the
sage used his mystic powers and ordered Trisanku to rise to heaven. Lo and
behold! Trisanku began to ascend till he reached heaven. There, he was
pushed back down by
Indra.
Enraged by this, Vishvamitra created a whole other Universe, including
another Brahma, for Trisanku. He had just completed creating his Universe,
when Brihaspati ordered him to stop. Trisanku, however, did not fully
transcend to the other universe through the Swarga that was created for
him. So he remained in a fixed, upside-down position in the sky and was
transformed into a constellation, which is now famous as the Crux.
In the process of creating the Trisanku Swarga, the Rishi had used up all
his powers. So he had to start again to attain the status of Brahmarishi.
In the Ramayana
In the Ramayana, Vishvamitra is the Guru of Rama (the seventh avatara of
Lord Vishnu), the Prince of Ayodhya and his brother, Lakshmana. He gave
them the knowledge of Devastras (divine weaponry) and guides to help them
kill powerful asuras (demons), such as Tataka, Maricha and Subahu. He also
led them to the Swayamvara ceremony of
Sita,
where Rama broke the bow of Shiva, thus winning her hand in marriage.
Gotra
Brahmins belonging to the Kaushika or Vishvamitra Gotra are descendants of
the Brahmarishi. This is one of the main gotras among Brahmins.
Worship
There is a temple dedicated to the worship of Vishvamitra called Sri
Aabathsahaayeshwarar, in Alangudi, Thanjavur, Tamil Nadu.
Vyasa
Vyasa, literally meaning, "Compiler", is the author of the great Hindu
epic, the Mahabharata, and the Vedas and Puranas as well. He is also known
as Veda Vyasa; the one who classified the Vedas; and Krishna Dvaipayana;
talking about his dark complexion and the place where he was born.
The festival of Guru Poornima, also called Vyasa Poornima, is dedicated to
him. It is believed that he was born on this day and it was also the day
he divided the Vedas. Vyasa is considered to be one of the seven
Chirajivins (long-lived or immortal), who will live on till the end of
this yuga.
Life
Vyasa first makes his appearance as the compiler of the Mahabharata and
also plays a major role in the epic itself. It is said that he was the
expansion of Lord Sri Maha Vishnu himself. Even the Vishnu Sahasranama
makes mention of it. It is said that Vishnu manifested in the Dwaparayuga
to make Vedic knowledge available to all, in the form of the written word.
Vyasa was the son of Satyavati, the adopted daughter of the fisherman
Dusharaj. He was born on an island in the river Yamuna. Due to his dark
skin tone, he was named Krishna. Additionally, because he was born in an
island, they called him Dwaipayana.
As per legend, Vyasa, in his previous life, was the Sage Apantaratamas,
who was born when Vishnu uttered the syllable "Bhu". Since birth, he was
totally devoted to Vishnu and naturally had the knowledge of the Vedas,
the Dharmashastras and the Upanishads within himself. At Vishnu's orders,
he was reborn as Vyasa.
Maharishi Vyasa's biological father was Sage Parashara. Prior to his
birth, Parashara had performed penance to please Shiva. Shiva granted him
the boon that Parashara's son would be a Brahmarishi, equal to Vasishtha
in all aspects; and would be famous for his extensive knowledge.
Parashara begot Vyasa with Satyavati. Miraculously, she gave birth to the
baby as soon as she conceived it. Vyasa immediately turned into an adult
and left, promising his mother that he would be there for her whenever she
needed him.
Vyasa then acquired his knowledge from the four Kumaras, Narada and Lord
Brahma himself. He is believed to have lived on the banks of the Ganga, in
present-day Uttarakhand. Incidentally, this was also the abode of
Vasishtha and the Pandavas, when they were in exile.
In the Mahabharata
According to the Mahabharata, once Satyavati, a fisherwoman, ferried
Parashara in her boat. He was in a hurry to attend a yagna and she helped
him reach his destination. So he gave her a mantra, which would help her
beget a son, who would have all the best qualities. Satyavati immediately
recited the mantra and begot Vyasa. Shocked, she decided to keep it a
secret and never even told King Shantanu, who she married later.
After several years, Shantanu and Satyavati had two sons, Chitrangada and
Vichitravirya. Chitrangada was killed by Gandharvas in a fight and
Vichitravirya was naturally physically weak. Satyavati asked Bhishma to
look for a bride for Vichitravirya.
Bhishma
attended the Swayamvara conducted by the King of Kashi and defeated all
the other participants. He then abducted Amba, Ambika and Ambalika.
Amba was already in love with the Prince of Shalya. So Bhishma allowed her
to go to him. However, Shalya rejected her. She came back and asked
Bhishma to marry her. But he had taken a vow of Brahmacharya (celibacy)
and so, could not marry her. She then vowed that she would kill Bhishma.
Vichitravirya collapsed and died during his wedding ceremony. Satyavati,
aware that there was no one else to take the clan forward, revealed to
Bhishma the secret of Vyasa's birth and requested him to bring her son to
Hastinapura.
Vyasa was filled with such a blinding aura, that Ambika, upon seeing him,
shut her eyes. This resulted in their child, Dhritarashtra, being born
blind. Ambalika turned pale on meeting Vyasa. This resulted in their
child, Pandu, being born pale. Then Ambika sent her maid to meet Vyasa. As
the maid was calm and serene, they had a healthy child named Vidura.
Vyasa had another son, Shuka, by his wife Pinjala (Vatika), the daughter
of Sage Jabali. Shuka appears as a spiritual guide to the Kuru Princes.
Veda Vyasa
Since Vyasa took on the task of splitting and categorizing the primordial
Veda into four canonical collections, thus forming the four Vedas, he is
known as "Veda Vyasa". As per the Vishnu Purana, the Universe is actually
a cyclical phenomenon that is in a constant state of evolution and
dissolution. Each cycle is presided over by a number of Manus, one for
each of the Manavantaras; each of which has four ages or Yugas. The
Dwapara Yuga is the third Yuga.
The Vishnu Purana states that in every third Yuga, Vishnu, in the form of
Vyasa, manifests in order to serve mankind. He divides the Vedas into many
portions and makes it fourfold, so that it becomes easy for mankind to
understand and apply them in their lives.
The Vedas have been thus arranged twenty-eight times by great Rishis and
consequently, twenty-eight Vyasas have passed away. The first distribution
was made by Lord
Brahma
himself. The second one to arrange the Vedas was Prajapati. The Purana
also says that the next one to arrange the Vedas will be Guru Drona's son,
Ashwatthama.
Works
The Mahabharata
Maharishi Vyasa is traditionally known to have chronicled the Mahabharata
and also plays a vital role in it. He is believed to have meditated and
authored it at the banks of River Beas (Vipasa) in Punjab. In order to
complete this great feat, the Rishi asked Lord Ganesha to help him with
writing the text. Ganesha agreed, on the condition that Vyasa should not
stop the narration at any point. The latter set a counter-condition that
Ganesha should first understand the verses, before proceeding to
transcribe them.
This way, the Rishi narrated the entire Mahabharata at a stretch, plus all
the
Upanishads
and the 18 Puranas. Ganesha broke one of his tusks and used it as a pen to
write down all that was dictated to him.
The Jaya (literally meaning "victory"), the very essence of the
Mahabharata, is a dialogue between Dhritarashtra and Sanjaya, his advisor
and charioteer. The latter is given a boon to see the Great War of
Kurukshetra as it happens. He narrates all the events that take place
through the 18 days of war. Dhritarashtra sometimes asks questions,
laments sometimes and fears the destruction that the war would eventually
cause to his family.
Jaya
- An Illustrated Retelling of Mahabharata
Book
Initially, Sanjaya gave a description of the various continents of the
Earth and the numerous planets in the Universe. Then he focused on India,
giving detailed lists of the innumerable kingdoms, provinces, cities,
towns, villages, rivers, tribes and so on, of Bharata Varsha (ancient
India). He then described the military formations undertaken by both the
Pandava and Kaurava armies every day, also listing the details of the
deaths of each person in the battlefield.
The Jaya comprises 18 chapters, which constitute the sacred
Bhagavad
Gita. It deals with subjects such as history, geography, warfare,
morality and much more. The final version of his work is the Mahabharata.
It is structured as a narrative to an assembly of Rishis, who in the
forest of Naimisha, had attended a 12-year yagna known as Saunaka, also
known as Kulapati.
Puranas
Vyasa is believed to be the author of the 18 Puranas, which are works that
cover a massive range of topics including history and myths. His son Shuka
is the narrator of the Bhagavata Purana.
Brahma Sutras
The Brahma Sutras are attributed to Badarayana. These are the very essence
of Hindu philosophy, that is, Vedanta. Vaishnava Acharyas consider that
Badarayana was actually Vyasa. He is known as Badarayana, since he had his
ashrama in Badari Kshetram. Some experts, however, say that they were two
different individuals.
Yoga Bhashya
Vyasa is accredited as the author of the Yoga Bhashya, a commentary on the
Yoga Sutras of Patanjali.
There may have been more than one Vyasa and his name may have been used to
give credibility to various texts. However, the fact remains that he is
still attributed to compiling, categorizing and writing much of this
ancient Hindu literature.
In Sikhism
In Brahm Avtar, one of the compositions in the Dasam Granth, Guru Gobind
Singh mentions Rishi Vyas as the fifth avatara of Brahma himself. Guru
Gobind Singh wrote about the Rishi's numerous compositions, even talking
about some great Kings such as Manu, Bharath, Dilip, Raghu and so on. He
also attributed to Vyasa the entire treasure-trove of Vedic knowledge
Worship
There is a grand temple of Sri Veda Vyasa at his birthplace, Kalpi, in
Uttar Pradesh. This temple is known as Shri Bal Vyas Mandir. Srimad
Sudhindra Teerth Swamiji, the former Guru of Sri Kashi Math Samsthan, had
the vision to build this temple in 1998. It is now managed by the Gaud
Saraswat Brahmin (GSB) community, who belong to this Samsthan. It is now
not only a sacred place of worship, but also a popular tourist
destination.